“This pub has almost as much character as the Rustic,” said my husband, as he sat down with my pint of bitters and his Guiness. We were in Bodmin, a town in Cornwall, on a vacation to England that has been long postponed due to COVID.
Three blokes sat on a bench a few feet away, joking, sharing beer and stories. The aged ranchmen in the Rustic swap memories too, but they sit on high stools at the bar.
“Well, I’d better get along,” said one of the men, while showing no sign of an intention to move. “Time to go home and kiss the dog and kick the wife.” One of the others said something too quiet to hear, and he replied that he didn’t really want to kiss the dog.
I couldn’t resist a chuckle, and he noticed. One joy of traveling in a country where you know the language is being able to get the jokes.
Leaning back, I noticed the flintlocks hanging from the ceiling beams, not on the walls as the rifles do at the Rustic. There was no line of cowboy hats behind the bar.
Cornwall was a Wild West of its own, once a land of outlaws as surely as the cowboy country in America. These outlaws were pirates and smugglers, some of whom lured ships to founder on the rocky coastline in order to plunder their cargo.
It’s the land of the hero Poldark and the villain Joss Merlyn, the brutal landlord of Jamaica Inn on the heights of Bodmin Moor. The Inn, which really exists, was the setting of a novel of the same name by Daphne du Maurier, which Alfred Hitchcock made into an ominous movie.
It’s an odd name for a hotel in the middle of Cornwall, perhaps given because its founder was a sea-captain who sailed to Jamaica. In the novel, the miscreant Merlyn has bought the Inn, let it fall to ruin, and turned it into a derelict storage space for smugglers’ booty. We are staying there now, as the base for our visit to Cornwall.
It’s charming and rather kitschy today, but DuMaurier made it seem wonderfully sinister in the book. (Do you like the picture? I caught it after sundown.) We are reading the novel to each other in our bright and comfortable room or in the bar, which is dark but hardly scary.
“Jamaica’s got a bad name,” says the coach driver who delivers the heroine, Mary Yellen, to the Inn. “Respectable folk don’t go to Jamaica anymore. That’s all I know. … They’re afraid.”
(Whenever we read the heroine’s name, Mary Yellen, I’m amused to be interrupted with the thought of a dear friend back home: Mary Ellen.)
Mary Yellen clearly finds the landscape forbidding as she approaches in the coach. “On either side of the road the country stretched interminably into space,” du Maurier wrote. “No trees, no lanes, no cottages or hamlet, but mile upon mile of bleak moorland, dark and untraversed, rolling like a desert land to some unseen horizon.”
Sounds rather like that country I love, the miles between Lander and Rawlins. Of course, out there we do have Jeffrey City which might be called a “hamlet”.
This is highway A30 that passes Jamaica Inn today. The modern road, now a divided highway, must generally follow the route of the old “high road” that passed the Inn in the 1820s, when the novel was set. As in Dubois now, there would have been only one proper highway in the entire area.
DuMaurier describes that land as fearsomely forbidding. “No human being could live in this wasted country, thought Mary, and remain like other people; the very children would be born twisted, like the blackened shrubs of broom, bent by the force of a wind that never ceased … Their minds would be twisted too, their thoughts evil, dwelling as they must amid … granite, harsh heather, and crumbling stone.”
A wind that never ceased. Granite and crumbling stone. Twisted minds.
Oh, my …
While some of the land has since become farm fields, the higher elevations of the moor surrounding the Inn remain isolated and desolate. We have hiked some of it. The high parts of the landscape are as rugged as the badlands back home, but in a different way. I loved it. Perhaps my mind is twisted.
Unlike Wyoming, this is wet country, and there are warnings in the guidebooks about sinking into bogs or marshes on lower ground. There’s a framed picture in the Inn of a young man who disappeared while hiking on the moor in the 1930s.
It’s been dry here lately, but we took the advice in the guidebooks and stayed to the high ground. That can have its perils too. I nearly foundered when a sudden gust of wind tried to knock me sideways on the rocky ground in this picture.
As on hikes back home, we passed prehistoric relics — stone circles and stone path markers.
We saw abandoned mines and clambered up to high outcrops of granite.
We also had charming encounters on the moor. We scared up many shaggy, rustic sheep accompanied by their gamboling lambs.
Wild mares wander the moors, followed closely by their foals.
That sight was endearing, but not thrilling like the encounter with a herd of horses from CM Ranch that a hiking buddy and I saw while walking up the road toward Three Lakes, shortly before I left for England.
Unlike the ponies on Bodmin Moor, they did not wander off in another direction. They stood silently and watched us from the ridge, unafraid, and then galloped down the slope ahead.
They weren’t wild horses, of course, but they were literally running wild.
Both times, the sight of the horses free and loose made me catch my breath and stop.
It’s strange, I texted to my hiking buddy back in Wyoming, to feel I am both at home and in a different world.
© Lois Wingerson, 2022
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